for your * pleasure – this one’s about drugs
By Kervin | March 3, 2010 | No Comments
hey there, kiddos and widows alike. welcome back to my lazily and, recently, lethargically assembled triumphica indieoso segment i like to call “FOR YOUR EARHOLE PLEASURE.” you will have to grin and bear today’s segment being two days late; i will not make excuses for myself, and it will probably happen again. but you’re here now and i’m here now and i’ve got a lot of lovin goin, so let’s just chill and let marbleize all smooth and polished-like. a’iiiiight.
as promised, i’m here to give you a review of albums i find entertaining or insightful or flat-out decent enough to put on in the background while you get wasted with your friends in your lavishly yet modestly ikea-furnished downtown loft. so i will, and so it goes, and so i will go and begin with TERRY SCOTT TAYLOR aka wump-a-dum-buh-dah-bum, a-ree-tee-teedee-tee.
Neverhood Songs
NEVERHOOD SONGS is delightful and delirious. yes, this is a videogame soundtrack. back when steven spielberg and the rest of the gang down at dreamworks realized they had so much money that they could sink a couple bil into the growing casual computer game market, they turned to microsoft and landed a partnership that probably failed a few years after its inception, but however, whichever, whatever. they had the means to give a group of acid-head artists fourteen tons of clay and a ridiculously far-fetched deadline to produce one of the finest point-n-click adventure games to hit the market, THE NEVERHOOD. so a vivid, dynamic and otherwise wild and weird universe was dreamed up, rendered in clay, viciously programmed, and most importantly scored. by TERRY SCOTT TAYLOR, which is where that whole tangent began and where it will soon follow. see, caps-lock and paragraph breaks really ease this whole speed-reading process. it’s good for you.
